Número 91, Verán 2017

 

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Sumario

Editorial

A pataca quente de Rubina Queneve

Temas: Galicia Escena Pro no punto de mira
Galicia Escena Pro 2017 Agadic | Recompor a rede Belén Pichel | Das feiras e os seus retos Carlos
Martínez Carbonell |
O horizonte serve para camiñar Xaime López | Os scouts da programación
teatral Marta Núñez Aboy | Unha visión dende fóra Carlota Guivernau

Actualidade AISGE
Cómicos con mil vidas e mil mortes que contar Pedro Pérez Hinojos

Ruxerruxe
Oda ao papel Esther Carrodeguas

Proscenio
A igualdade nas artes escénicas, para cando? Montse Dopico

Entrevista
Eduardo Alonso Vanesa Sotelo e Manuel Xestoso

Festivais
XXX Festivais Gil Vicente erregueté| XXXIV Mostra de Teatro Cómico e Festivo de Cangas erregueté|
XXXIII Mostra Internacional de Teatro de Ribadavia erregueté

Escena Aberta
e apareceron as mulleres Clara Gayo| Encontro con Rodrigo García en Montpellier Roberto
Pascual |
Entrevista a Juan Muñoz, de La Tartana Teatro Xoán C. Riobó | O teatro comunitario
como estratexia de creación de público nunha sala Irene Moreira | Estás aí Manuel Lourenzo

En Danza
Falsos amigos (Sobre IT Dansa) Ricardo Santana | O «summer intensive festival»: o xénero e
o corpo capitalizado Begoña Cuquejo

Obituarios
Paco Souto (1962-2017) Rosalía Fernández Rial | Mateo González (1982-2017) Sheyla Fariña

Espectáculos
Goldi Libre, d’A Berberecheira Manuel Xestoso| Martes de Carnaval, do Centro Dramático
Galego Laura Porto | Up2Down, de Traspediante Laura Porto | Tráfico, de Baal 17 e AI Teatro
Manuel Xestoso

Libros
Teatro do Noroeste.Trinta anos actuando Manuel F. Vieites | Colección Vagalume
Inmaculada Concepción Rodríguez Díaz | Fondo Teatral María Casares

Ficheiro. Estreas

Textos Teatrais 89
Os cans non comprenden a Kandinsky, de AveLina Pérez

 

 

 


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